NO.21 __LA GALLINA

Il Giardino Armonico
Giovanni Antonini,
conductor
Lorenz Langenegger, writer
N. N., photographer

Joseph Haydn: Symphonies No.57, No.58 and No.83 «La Poule», Carlo Farina: «Capriccio stravagante»

Concerts:
4 October 2024, Vienna, Musikverein
11 October 2024, Basel Don Bosco (tickets are now available online)

 

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Fünf Jahre nach seiner Anstellung als Vize-Kapellmeister der Fürsten Esterhazy stieg Joseph Haydn nach dem Ableben seines Vorgesetzten Gregor Joseph Werner zum Kapellmeister auf und erwarb am 2. Mai 1766 ein Haus in der Eisenstädter Klostergasse 82. Er und seine Frau Aloysia sollten zwölfeinhalb Jahre dort leben, bis sie 1778 ins Musikerhaus von Schloss Eszterház zogen, die sich im Laufe der Jahre von der ehemaligen Sommer- zur ganzjährlichen Hauptresidenz von Fürst Nikolaus I. Joseph gewandelt hatte.
Zum Haus der Haydns gehörte auch das an der Rückseite des ehemaligen Bürgerspitals gelegene «Kuchlgärtl», welches dem Ehepaar zur Selbstversorgung diente und worin es u. a. Hühner wie auch sein «Deputatsschwein» gehalten haben dürfte, das – so im Dienstvertrag des Kapellmeisters festgehalten – diesem (neben einer durchaus beträchtlichen Menge an Wein, Getreide, Salz, Brennholz und Kerzen) jährlich zur Verfügung gestellt werden musste.
Jedenfalls scheint es im Musikerhaus zu Eszterház, wo auf insgesamt 54 Zimmern die gesamte Hofkapelle einschliesslich der Jahr für Jahr unter Vertrag genommenen reisenden Schauspielgesellschaften untergebracht werden musste, um einiges weniger beschaulich und vor allem mitunter recht lautstark zugegangen sein.
So mag man es sich denn nach Belieben bildhaft vorstellen, wie das Gackern der Hühner aus dem Innenhof zur Haydn’schen Wohnung im ersten Stock heraufschallte, als dieser an einem Morgen des Jahres 1785 gerade dabei war, das Allegro spiritoso seiner für Paris bestimmten g-Moll-Sinfonie Nr. 83 zu Papier zu bringen.

Program

Joseph Haydn (1732–1809): Symphony no.57 D Major Hob. I:57 (1774)
Adagio – Allegro di molto / Adagio / Menuet. Allegretto – Trio / Finale. Prestissimo

57

SYMPHONY NO.57 D MAJOR HOB. I:57 (1774)

Scoring: 2 ob, 2 hn, str
Period of composition: [2nd half?] 1774

Joseph Haydn (1732–1809): Symphony no.58 F Major Hob. I:58 (1767)
Allegro / Andante / Menuet. Alla zoppa, e un poco allegretto – Trio / Finale. Presto

58

SYMPHONY NO.58 F MAJOR HOB. I:58 (1767)

Scoring: 2 ob, 2 hn, str
Period of composition: before 15.2.1773 [End 1767]

Carlo Farina (around 1600–1639): Capriccio stravagante a 4 (from: Ander Teil neuer Paduanen, Galiarden, Couranten, … Dresden 1627)
[ohne Tempobez.] / La Lira / Il Pifferino / Lira Variata / Presto / Adagio / La Trombetta / Il Clarino / La Gallina – Il Gallo / Presto / Il Flautino pian piano / Presto / Adagio / Il Tremulo / Il Pifferino della Soldadesca / Il Tamburo / Il Gatto / Il Cane / Presto / La Chitarra Spagniola / Adagio – Sempre Più Adagio

Joseph Haydn (1732–1809): Symphony no.83 g Minor Hob. I:83 (1785) «La Poule»
Allegro spiritoso / Andante / Menuet. Allegretto – Trio / Finale. Vivace

83

SYMPHONY NO.83 G MINOR "LA POULE" (1785)

Scoring: fl, 2 ob, 2 bn, 2 hn, str
Period of composition: 1785

Line-up

Il Giardino Armonico
Giovanni Antonini, conductor

Next concerts

Vienna,
Friday, 4 October 2024, 7.30 pm

Vienna Musikverein, Brahms-Saal

Pre-concert talk: 6.30 pm

Basel,
Friday, 11 October 2024, 7.30 pm

Haydn-Lounge at the Heinz Holliger Auditorium, Don Bosco Basel:

6.15 pm: lecture
6.50 pm: pre-concert talk with Giovanni Antonini and Andrea Scartazzini (moderator)

Doors open at 6.00 pm (no entry between lecture and talk).
The seat number is limited up to 50 persons. Entry only with concert ticket.
 

Concert at the Paul Sacher Saal, Don Bosco Basel:

7.30 pm: concert
Haydn soup during the interval.

The concert will be livestreamed on Youtube (information will follow).

  • Advance ticket sales

    Tickets are available online or at Bider & Tanner, Ihr Kulturhaus in Basel, +41 (0)61 2069996 as well as by phone at kulturticket (+41 900 585 887, CHF 1.20/Min) or on site at all presale locations of kulturticket.

    Subscribers of the Basel Chamber Orchestra are entitled to reduced tickets (20%). If you haven't received your promocode by a post letter of the Basel Chamber Orchestra please contact franziska.vonarb@haydn2032.com).

  • Livestream

    The concert will be livestreamed on the Haydn2032 YouTube channel (information will follow).

Biographies

Il Giardino Armonico
Orchestra

Il Giardino Armonico

Orchestra

Founded in 1985 and conducted by Giovanni Antonini, has been established as one of the world’s leading period instrument ensembles, bringing together musicians from Europe’s relevant music institutions. The ensemble’s repertoire mainly focuses on the 17th and 18th century. Depending on the demands of each program, the group consists of three up to thirty musicians.

Il Giardino Armonico is regularly invited to festivals all over the world performing in the most important concert halls, and has received high acclaim for both concerts and opera productions, like Monteverdi’s L’Orfeo, Vivaldi’s Ottone in Villa Händel’s Agrippina, Il Trionfo del Tempo e del Disinganno, La Resurrezione and finally Giulio Cesare in Egitto with Cecilia Bartoli during the 2012 edition of the Salzburg Whitsun and Summer Festival.

Beside that, Il Giardino Armonico sustains an intense recording activity. After many years as an exclusive group of  Teldec Classics achieving several major awards for its recordings of works by Vivaldi and the other 18th century composers, the group had an exclusive agreement with Decca/ L’Oiseau-Lyre recording Händel’s Concerti Grossi Op. VI and the cantata Il Pianto di Maria with Bernarda Fink.
The group also released on Naïve La Casa del Diavolo, Vivaldi cello Concertos with Christophe Coin, and the opera Ottone in Villa winning the Diapason d’Or in 2011. On the label Onyx Vivaldi violin Concertos with Viktoria Mullova.
In 2009 a new cooperation with Cecilia Bartoli led to the project Sacrificium (Decca), Platinum Album in France and Belgium and prized by the Grammy Award.
Again on Decca Alleluia (March 2013) and Händel in Italy (October 2015) with Julia Lezhneva, acclaimed by public and critics.
The group published Serpent & Fire with Anna Prohaska (Alpha Classics – Outhere music group, 2016) winning the ICMA “baroque vocal” in 2017.
The recording of five Mozart Violin Concertos with Isabel Faust (Harmonia Mundi, 2016) stands as the result of the prestigious cooperation with the great violinist.
Il Giardino Armonico is part of the twenty-year project Haydn2032 for which the Haydn Foundation has been created in Basel to support both the recording project of the complete Haydn Symphonies (Alpha Classic) and a series of concerts in various European cities, with thematic programs focused on this fascinating repertoire. In November 2014 the first album titled La Passione has been published and won the Echo Klassik award in 2015. Il Filosofo, issued in 2015, has been “CHOC of the year” by Classica. The third one Solo e Pensoso has been released in August 2016, and the forth Il Distratto in March 2017.
The last volumes of the Haydn2032 project, as well as Telemann (Alpha Classics, November 2016) are available as CD and LP too. Telemann won the Diapason d’Or in January 2017.

Furthermore the ensemble worked with such acclaimed soloists as Giuliano Carmignola, Sol Gabetta, Katia and Marielle Labèque, Viktoria Mullova, and Giovanni Sollima.

WWW.ILGIARDINOARMONICO.COM

Giovanni Antonini
Conductor

Giovanni Antonini

Conductor

Born in Milan, Giovanni studied at the Civica Scuola di Musica and at the Centre de Musique Ancienne in Geneva. He is a founder member of the Baroque ensemble “Il Giardino Armonico”, which he has led since 1989. With this ensemble, he has appeared as conductor and soloist on the recorder and Baroque transverse flute in Europe, United States, Canada, South America, Australia, Japan and Malaysia. He is Artistic Director of Wratislavia Cantans Festival in Poland and Principal Guest Conductor of Mozarteum Orchester and Kammerorchester Basel.

He has performed with many prestigious artists including Cecilia Bartoli, Kristian Bezuidenhout, Giuliano Carmignola, Isabelle Faust, Sol Gabetta, Sumi Jo, Viktoria Mullova, Katia and Marielle Labèque, Emmanuel Pahud and Giovanni Sollima. Renowned for his refined and innovative interpretation of the classical and baroque repertoire, Antonini is also a regular guest with Berliner Philharmoniker, Concertgebouworkest, Tonhalle Orchester, Mozarteum Orchester, Leipzig Gewandhausorchester, London Symphony Orchestra and Chicago Symphony Orchestra.

His opera productions have included Handel’s Giulio Cesare and Bellini’s Norma with Cecilia Bartoli at Salzburg Festival. In 2018 he conducted Orlando at Theater an der Wien and returned to Opernhaus Zurich for Idomeneo. In the 21/22 season he will guest conduct the Konzerthaus Orchester Berlin, Stavanger Symphony, Anima Eterna Bruges and the Symphonieorchester de Bayerischer Rundfunks. He will also direct Cavalieri’s opera Rappresentatione di Anima, et di Corpo for Theatre an der Wien and a ballet production of Haydn’s Die Jahreszeiten for Wiener Staatsballett with the Wiener Philharmoniker.

With Il Giardino Armonico, Giovanni has recorded numerous CDs of instrumental works by Vivaldi, J.S. Bach (Brandenburg Concertos), Biber and Locke for Teldec. With Naïve he recorded Vivaldi’s opera Ottone in Villa, and, with Il Giardino Armonico for Decca, has recorded Alleluia with Julia Lezhneva and La morte della Ragione, collections of sixteenth and seventeenth century instrumental music. With Kammerorchester Basel he has recorded the complete Beethoven Symphonies for Sony Classical and a disc of flute concertos with Emmanuel Pahud entitled Revolution for Warner Classics. In 2013 he conducted a recording of Bellini’s Norma for Decca in collaboration with Orchestra La Scintilla.

Antonini is artistic director of the Haydn 2032 project, created to realise a vision to record and perform with Il Giardino Armonico and Kammerorchester Basel, the complete symphonies of Joseph Haydn by the 300th anniversary of the composer’s birth. The first 12 volumes have been released on the Alpha Classics label with two further volumes planned for release every year.

Information will follow.

Lorenz Langenegger will read his text at the Haydn-Lounge at the Heinz Holliger Auditorium on 11 October 2024 um 6.15 pm. The text will be published in the vinyl edition vol. 21 at a later date.